EXP3 LINKS
THEORY
http://yjarch1101.blogspot.com.au/2017/05/concept-article-rima-sabina-aouf.html
ONE-POINT PERSPECTIVES
http://yjarch1101.blogspot.com.au/2017/05/blog-post.html
2 POINT PERSPECTIVES
http://yjarch1101.blogspot.com.au/2017/05/blog-post_24.html
MOVING ELEMENT
Initial - http://yjarch1101.blogspot.com.au/2017/05/blog-post_25.html
Developing - http://yjarch1101.blogspot.com.au/2017/06/developing-moving-elements-first-moving.html
DRAFT SKETCHUP IMAGES/PROGRESS
http://yjarch1101.blogspot.com.au/2017/06/blog-post_34.html
36 TEXTURES + APPLICATION
http://yjarch1101.blogspot.com.au/2017/06/blog-post_41.html
COMPLETED SUBMISSION
http://yjarch1101.blogspot.com.au/2017/06/final-submission-view-entering-bridge.html
SKETCHUP 3D WAREHOUSE
https://3dwarehouse.sketchup.com/model/03c80f0f-b981-442d-8c85-bdd62bbf23cb/YEHJEEN-MOON-EXP3-ARCH1101-2017
DROPBOX
https://www.dropbox.com/sh/zjcm2vgo8ue1vk0/AACdCXgZ5K-tJZkJEXaR0Skda?dl=0
Thursday, June 22, 2017
FINAL SUBMISSION
View: Entering bridge from the Squarehouse.
Here the entrance is rather simple in terms of shapes and sizes however the textures allow for a disorienting feeling in order to indicate the innovation of moving elements of architecture.
View: Studying space
View: Lecture Room
Lecture rooms are usually radially organised and this concept was continued in this experiment, however the circular shape of the room allows innovative design as windows which are placed in a disorienting way. They are looped around the room and act as vectors that direct students' attention to the lecturer.
View: Library space and stairs leading to gallery
View: Computer Labs
In this experiment the disorienting placement of the computers allow for innovation as students can access computers more easily through the main corridor and allows an open view which allows distraction from the computer.
View: Crossing Anzac Parade
The shapes which the building uses are quite smooth and organic however the thick timber louvres act as not only shading devices but also disorient the space and the visual aspect of the bridge.
View: From the main university walkway.
From students' perspectives, the bridge is a disorienting piece of architecture which connects two buildings however for those who use it, it becomes a location of study and creativity.
DEVELOPING MOVING ELEMENTS
First moving element: Similar to the shape of sound waves, I wanted something which would be used as a shading device. It is connected to a metal conveyor which allows the planks to move around the building.
Second element: The places where the bridge connects to existing buildings. It will expand and move to shelter people when they enter the school. Will be an open section, not yet finished.
Thursday, May 25, 2017
Wednesday, May 24, 2017
EXPERIMENT 3 - THE THEORY
Rima Sabina Aouf, "Ministry of Design creates robot training facility lined with metal and tube lights." Dezeen, May 10, 2017, https://www.dezeen.com/2017/05/10/ministry-design-mod-robot-training-laboratory-interior-metal-tube-lights/
Chicago referencing
3 - 5 words:
innovative
disorienting
diverge
Innovative design diverges from simplicity, rather, it is disorienting
Sunday, April 30, 2017
5 IMAGE CAPTURES OF ARCHITECTURE
Movement and continuity of space is not
broken as the interior and exterior are “dissolved” and there is no definite
line to differentiate the two spaces. The curves which don’t touch collide
add to this obscurity
The night time setting highlights the
interior of the tram stop created by the large curve. It is within this space
where most commuters communicate with the space thus making it important
The walls, seating and elevated floors indicate
the interior space of the tram stop but despite this, the area is exposed, crumbling
the privacy of interior spaces. This effectively reduces the distinction
between two separate spaces
APPLIED TEXTURES
Used this on the walls around the seating area as this area would be seen and commonly contacted with commuters
TEXTURE 2: MEDIUM
This was used on the larger curve of the tram stop. Because of the pattern which intersects at 90 degrees, the texture showed up smoother and more connected compared to what I experienced in EXP1
TEXTURE 3: LIGHT
Used on the inner side of the smaller curve because when both patterns were on the outside it looked unorganised and it would be seen by commuters when walking under the curve
PROCESS OF DESIGN
From the three combined axonometrics, I decide to continue with AXO5&6
AXO 5: Dissolve the distinction between the interior and exterior
AXO 6: The space between is more important, Carlo Scarpa
Rotated the axonometric
From the three combined axonometrics, I decide to continue with AXO5&6
AXO 5: Dissolve the distinction between the interior and exterior
AXO 6: The space between is more important, Carlo Scarpa
Rotated the axonometric
Experimented with the curved axonometric
Draft of final Sketchup model
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